thingNY
  • events
  • about us
  • projects
    • Dear Nancine
    • A Series of Landscapes
    • minis/Trajectories
    • thistakesplacecloseby
    • ...Patriots...
    • ADDDDDDDDD
    • SubtracTTTTTTTTT
    • Passover
    • skylighght
  • press
  • join our list
  • merch
  • SUPPORT
  • events
  • about us
  • projects
    • Dear Nancine
    • A Series of Landscapes
    • minis/Trajectories
    • thistakesplacecloseby
    • ...Patriots...
    • ADDDDDDDDD
    • SubtracTTTTTTTTT
    • Passover
    • skylighght
  • press
  • join our list
  • merch
  • SUPPORT
thingNY

SOFT SERIES No. 3 - MALEDETTO

4/1/2016

 
Picture
l'Artiste Ordinaire presents: 
SOFT SERIES No.3
an arrangement of 
Kenneth Gaburo's MALEDETTO 
by thingNY & Varispeed

8:00pm (doors open at 7:30)
​
SOFT SERIES

[a series of soft premieres]
is created and directed by
Melissa Grey & David Morneau


Scored for seven voices, Maledetto is the second act (a 50-minute sliver) of LINGUA, Kenneth Gaburo's 6-hour music-theatre written between 1965 and 1970 and never performed in its entirety. thingNY and Varispeed have teamed up to try out their new arrangement of Maledetto at a large dinner table, with invited guests within spitting distance of the innuendo-laden-speech and often-bizarre vocal noises.

NOTE ON THE ARRANGEMENT
As with Robert Ashley’s Perfect Lives and John Cage’s Empty Words, Varispeed likes to shake things up a bit with our arrangements by taking a single authoritative voice and splitting it up among a collective. Kenneth Gaburo’s Maledetto was written for Speaker A, indicated as male who at times may “appear to be a historian, a mere ‘reader,’ a pontiff, a circus barker, a teacher, an auctioneer”; Speaker B, indicated as male who is “always cursing”; Speaker D, indicated as female who is “transformational” and “comes to realizations and acts on them positively”; and an SATB chorus. The experiment that Varispeed is trying in this reading is to break-up each of these roles amongst the collective, so that who is reading which part shifts throughout the piece. Why would we do this? The quickest answer might be: to undo the drive toward mansplaining, to look beyond a mode where each gender is confined to particular kinds of vocalization, and, by extension, where certain sexual innuendos – which this piece is replete with – are primarily implied toward male-female couples. We wanted to do more than simply switch the genders of who did what. So this arrangement is infused with a Star-Trek-esque idealism about collective experience and power relations, in hopes that it furthers the spirit of the piece but updates it for a twenty-first-century world. - GB


Varispeed is a collective of composer-performers that creates site-specific, sometimes-participatory, oftentimes-durational, forevermore-experimental events. Founded by Aliza Simons, Dave Ruder, Paul Pinto, Brian McCorkle, and Gelsey Bell, Varispeed came together in June 2011 to perform Perfect Lives Brooklyn, a 12-hour celebration of Robert Ashley’s landmark opera. varispeedcollective.com
Fri. Apr. 1, 2016
7:30pm


NOMADLOFT
by invitation only

​Gelsey Bell
Brian McCorkle
Esther Neff
Paul Pinto

Dave Ruder
Aliza Simons
Jeffrey Young

Comments are closed.